Brad Bird's "Tomorrowland" articulates its messages rather awkwardly, but the filmmaking is superb, and it doesn't feel like anything else.
Grace Wang is a writer and producer. She is a contributing author to various publications including The Spectators Arts Blog, the books World Film Locations: New York and World Film Locations: BeiJing, and has worked as a Programming Associate and Social Media Coordinator for the Toronto International Film Festival and Toronto Reel Asian International Film Festival.
Grace is fluent in Mandarin and Cantonese and muses at Etheriel Musings and @etherielmusings. In her spare time she practices as a lawyer, daydreams on public transport, and has a weakness for red shoes and good people. Grace has lived and worked in eight countries on three continents. She currently resides in Toronto, Canada.
I am a dreamer, a traveler, a student, a teacher, a friend, a stranger, an Asian, a Canadian, a daughter, a woman, a photographer, a model, an immigrant, a citizen, a writer...but these are all just labels, and they wouldn't begin to tell you why I have an infinite love for hole-in-the-wall bars and coffee shops and black & white everything, or why live music of any kind just captivates me, or how Chinese novels move me in a way so deep that I wish every person in the world could understand the language, or why I can never ever hold back a smile watching the sun rise on a different continent.
Traveling is a huge part of my life, as is writing. With a pen and a backpack, I've had some of the most memorable moments of my life at some of the most random corners around the world.
If traveling is how one experiences reality, then writing is how I weave my dreams. It has always been the most natural, intimate, and truest expression of myself. And we all just want to tell our own stories in this lifetime, don't we?
It's like breathing, and as clichéd as that sounds, how can you explain why you need to breathe?