A work of almost breathtaking visual beauty that manages to ravish the heart while dazzling the eye simultaneously, neither at the expense of the other.
Why did I choose this piece?
One of my favourite reviews by Roger is his piece on "Frequency". You can see how that movie affected him so personally with its core gimmick: the ability to talk to someone who is now dead, and, more specifically, one's father. It's a solemn, lovely piece.
This message came to me from a reader named Peter Svensland. He and a fr...
A note of thanks from Chaz Ebert to the wonderful people behind "Life Itself."
A look at Kimberly Pierce's 2013 version of "Carrie."