The Grand Budapest Hotel
As much as "The Grand Budapest Hotel" takes on the aspect of a cinematic confection, it does so to grapple with the very raw and,…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The days dwindle down to a precious few. At 6 p.m.on Friday, Cannes is oddly silent. The tumult on the streets a week ago today is forgotten. There are empty seats at some screenings. The locals of Cannes know this is the time to stand in the ticket lines. The daily editions of Varsity and Hollywood Reporter ceased Thursday. Friends are in Paris, or London, or home. Some few diehards stay for the award ceremony Sunday night.
I was born at the center of the universe, and have had good fortune for all of my days. The center was located at the corner of Washington and Maple streets in Urbana, Illinois, a two-bedroom white stucco house with green canvas awnings, evergreens and geraniums in front and a white picket fence enclosing the back yard. Hollyhocks clustered thickly by the fence. There was a barbeque grill back there made by my father with stone and mortar, a dime embedded in its smokestack to mark the year of its completion.
There was a mountain ash tree in the front yard, and three more down the parking on the side of the house. These remarkable trees had white bark that could be peeled loose, and their branches were weighed down by clusters of red-orange berries. "People are always driving up and asking me about those trees," my father said. He had planted them himself, and they were the only ones in town--perhaps in the world. They needed watering in the summertime, which he did by placing five-gallon cans under them with small holes drilled in their bottoms. These I carefully filled with the garden hose from the back yard, while making rainbow sprays over the grass around.