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Unfinished Business

The characters are not people, but rough drafts of simplistic character-traits, and the actors (game as they all are) cannot create something out of nothing.

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Chappie

The basic questions posed here are ones that have been explored in any number of films over the years, and Chappie brings nothing new to…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Ebert's 2006 summer/fall round-up

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Film festivals allow you to get way ahead on your movie viewing. At Sundance, Cannes, Telluride and Toronto you can see movies that will be released throughout the coming year and into the next. That's what Roger Ebert does every year, and here are some of the movies he's already written about for the next few months, into November....

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Sundance 2006 winners

PARK CITY, Utah (AP) Ñ Two films examining immigrant life in America, the Hispanic teen drama "Quinceanera" and the Sudanese refugee documentary "God Grew Tired of Us," won top honors Saturday at the Sundance Film Festival.

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Sundance #7: Film ratings exposed!

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PARK CITY, Utah - Since 1968, the MPAA Code and Ratings Administration has been an anonymous group enforcing secret guidelines on almost all movies seeking release in America. The difference between its R and NC-17 ratings can mean life or death for a movie. A rating can be appealed -- to another anonymous group, also with guidelines that are never made clear. The board's founder and great defender, Jack Valenti, explained for years that the movie raters were "ordinary parents" with young children, trying to advise other parents on how appropriate movies might be for younger viewers.

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