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Goodbye to Language

Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.

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The Great Invisible

Winner of the SXSW Grand Jury Prize for Documentary, the film is strongest when it focuses on the micro rather than the macro. How the…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Cannes #8: Of lies and ghosts and fathers

The days dwindle down to a precious few. At 6 p.m.on Friday, Cannes is oddly silent. The tumult on the streets a week ago today is forgotten. There are empty seats at some screenings. The locals of Cannes know this is the time to stand in the ticket lines. The daily editions of Varsity and Hollywood Reporter ceased Thursday. Friends are in Paris, or London, or home. Some few diehards stay for the award ceremony Sunday night.

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Ebert's Oscar predictions (2007)

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In a year when the Academy Award nominations are more diverse and international than ever before, it's anyone's guess who will win best picture. "Dreamgirls" garnered more nominations than any other movie, but was passed over for both picture and director.

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Cannes #8: Sex, awards & film

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CANNES, France – It probably won’t happen this way, but wouldn’t everyone be pleased if Gerard Depardieu won the best actor award at Cannes this year. The festival’s awards are given out Sunday night (12:30 p.m. CDT), and Depardieu received a tumultuous ovation Friday as the star of “Quand j’etais Chanteur,” or “The Singer.” Depardieu’s character reminded many audience members of the actor himself: A beefy middle-aged artist still slugging away at a job he loves, smoking too much, adamantly on the wagon, given new hope by his feelings for a much younger woman (Cecile De France). “I’ve been written off a lot of times,” he tells her, “but I always bounce back.”

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Cannes #7: A real movie

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CANNES, France – At last, on Day 9 of the Cannes Film Festival, an old-fashioned real movie, with a beginning, middle and end, characters, a story, and a powerful message. Is Rachid Bouchareb’s “Days of Glory” (“Indigenes”), a drama about French troops from the colonies of Northern Africa, too traditional to win the Palme d’Or?

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