Southside With You
Southside with You builds its emotional richness by coasting on the charisma of its two leads as they carefully navigate each other’s personality quirks and…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Posting 27,000 times to one online forum; Reflections of synthetic skin; Norman Lear on the neglected mission of PBS; The assistant economy; Kristen Stewart on the industry of celebrity.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
Is "The Goldfinch" art?; The meta-homophobia of "22 Jump Street"; Seinfeld on celebrity; Lack of TV writer jobs in NYC; "Orange" is the new "Hill Street Blues."
Generation X has midlife crisis; Oscar predicability; Popular Twitter accounts making money; Casting directors getting praised for their work; Charlie Chaplin's monologue.
Marie writes: Club member and noted blog contributor Tom Dark took this astonishing photograph near his home in Abiqui, New Mexico. The "unknown entity" appeared without warning and after a failed attempt to communicate, fled the scene. Tom stopped short of saying "alien" to describe the encounter, but I think it's safe to say that whatever he saw, it was pretty damned freaky. It sure can't be mistaken for anything terrestrial; like a horse pressing its nose up to the camera and the lens causing foreshortening. As it totally does not look like that at all. (click to enlarge.)
He couldn’t hear, I couldn’t speak, and we had a great interview.
If "The Cider House Rules" wins the Academy Award for best picture next Sunday night, expect the groans to more or less equal the cheers. There are those who sincerely believe it is a good picture, but there are other, perhaps more numerous, who believe "Cider's" seven nominations are less a tribute to the film's greatness than to the well-oiled Miramax Oscar Machine.