Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
What Dave Chappelle's walk-off says about the relationship between black entertainers and white audiences; Rising Sun revisited; the gender gap wage lie; nine things introverts do all the time, such as stalking Mark Ruffalo; those appliances you think are off might not be off; your neighborhood airport might be on the decline; a consideration of the selfie.
The first two "Terminator" movies were to me what "Star Wars" was to previous generations. Every kid wanted to be Eddie Furlong. The prospect of having a badass mother who didn't freak out when you grabbed a gun was overwhelming. On top of that young John Connor had his very own Terminator to command!! When I first watched those movies it was the violence of the first film, the special effects of the second and the time travel paradox of both that kept me up most nights in awe. I must've watched them a hundred times and I still give them credit for kicking off my interest to science fiction and the many mind boggling philosophical ideas that come hand in hand with the genre.
Q. Regarding your review of "The Girlfriend Experience": Prostitutes in movies are never used for what they provide in real life, which is sex. In movies, prostitutes are paid for anything and everything but the thing they actually provide. See: "Pretty Woman," "The Girlfriend Experience" and countless others. Eliot Spitzer or any other man never paid large amounts of money to talk to a woman.