The Magnificent Seven
Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: I attended three different elementary schools; St. Peter's, Our Lady of Mercy (which was anything but) and finally St. Micheal's; where I met my Canadian-Italian chum, Marta Chiavacci (key-a-vah-chee) who was born here to Italian immigrants. We lost touch after high school, moving in different directions til in the wake of a trip to Venice and eager to practice my bad Italian and bore friends with tales of my travels abroad, I sought her out again.We've kept in touch ever since, meeting whenever schedules permit; Marta traveling more than most (she's a wine Sommelier) living partly in Lucca, Italy, and happily in sin with her significant other, the great Francesco. I saw her recently and took photos so that I might show and tell, in here. For of all the friends I have, she's the most different from myself; the contrast between us, a never-ending source of delight. Besides, it was a nice afternoon in Vancouver and her condo has a view of False Creek...smile...
(click images to enlarge)
When people cheerfully tell me, "I have a trivia question" for you, I have a cheerful answer for them, but I rarely express it: "I'm a professional. Ask an amateur." Why in the name of Buster would I want to clutter my memory with useless facts? During long, hard years of being asked trivia questions, I have learned one thing for sure. The person asking me is in the possession of one fact, and is pretty confident I don't know it. Therefore, my admission of defeat will demonstrate their superiority.
I know something about the movies, and here is how I really should reply: "Before I even attempt to answer your question, let me ask you five questions to see if you are qualified to even take up the time of a busy, busy man such as myself. (1) What is the name of the film that codified the language of the cinema? (2) Who was the third great silent clown? (3) Is color intrinsically better than black-and-white? (4) What movie set key scenes on board a train going from Chicago to Urbana, Illinois? (5) Name at least five directors of the French New Wave.
Q. Last week the Tomatometer at RottenTomatoes.com read 98% favorable for Miyazaki's "Spirited Away," because of a single negative review by someone whose name I can't recall now. Today I see that the green splatter is gone, and the meter is pegged out at a solid 100% "fresh." If there's one film that I've seen recently which deserves a 100% tomato rating, it's this one, so I have no objection to the removal of that negative link. But I am wondering how often RT adjusts its ratings in this way. Do they do it according to some standard, or in response to user complaints? (Joe Lippl, Minneapolis)
PARK CITY, Utah -- At most film festivals, 90 percent of the audience members are civilians and 10 percent are employed in the industry. At Sundance, the ratio is reversed. Screenings here consist of pitches, bids, dealmaking, business card exchanging and schmoozing, interrupted by movies.