A work of almost breathtaking visual beauty that manages to ravish the heart while dazzling the eye simultaneously, neither at the expense of the other.
Avery’s more than capable behind the camera, he just needs to be met halfway by his screenwriting, which dwells in overly familiar territory.
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
"Life Itself" won the 2015 Best Documentary award from the Producer's Guild of America.
An excerpt of Eric Kohn's Indiewire article on Oscar snubs.
A note of thanks from Chaz Ebert to the wonderful people behind "Life Itself."
A look at Kimberly Pierce's 2013 version of "Carrie."
A look at Kimberly Pierce's 2013 version of "Carrie."
An FFC comments on Roger Moore's best James Bond film, "The Spy Who Loved Me."
A Sundance dispatch on "I Am Michael," "True Story," "Mississippi Grind" and "Digging For Fire".
"The year of women" at Sundance; "Sniper" proves critics matter; Gene Hackman is still in charge; Kurosawa watches "Solaris" with Tarkovsky; Joel Grey comes out.
Die, Mommie, Die! (2003)
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Angela Arden, Written by
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
