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Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#150 January 9, 2013

Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)

"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website

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Almodovar's passionate celebration of cinema: Omar Moore on "Broken Embraces"

May Contain Spoilers

Whether or not you believe that "Broken Embraces" is Pedro Almodόvar's best film, one thing cannot be denied: it's a film that so passionately celebrates cinema and the filmmaker's love for it.

Multiple stories frame a complex narrative in "Broken Embraces." Mr. Almodόvar trains his lens on Penélope Cruz, his muse. She plays Lena, a woman caught between passion and misery in the film, set in Madrid in the early 1990s and 2008. A film director (Lluís Homar) is blighted by the past while also recalling fond memories in the present as he hibernates in the afterglow of a vibrant affair with Lena, whom he directed during the nineties in a comedy. Back then he was Mateo Blanco. Now, in the early 21st century he is Harry Caine - a hurricane of regrets, mysteries and opportunities. There's Lena's husband Ernesto (José Luis Gόmez), a billionaire business magnate who has helped Lena pre-marriage and produces Blanco's film "Girls With Suitcases." Keeping Blanco in line and on schedule with the film is his agent Judit (Blanca Portillo), and that isn't an easy task.

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