The Grand Budapest Hotel
As much as "The Grand Budapest Hotel" takes on the aspect of a cinematic confection, it does so to grapple with the very raw and,…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Read Ebert's tribute to Gene Siskel, who died ten years ago, here.
Q. A blogger named Brian at takes issue with your remarks about Paul Greengrass' long takes in "The Bourne Ultimatum," writing: "I don't recall a single take in this movie that was more than about three seconds long. Either Greengrass really does a spectacular job of not 'calling attention' to those long takes, or Ebert saw a different movie. But it's very strange, no matter what." (From goneelsewhere.wordpress.com:) Who's right?
EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessarily his pleasure -- to report them (fairly, accurately) as he sees them. Whether they're so bad they're funny, so bad they're not funny, or so unfunny they're not funny, he must critique them. From bad Elvis to Deuce Bigalow, these are excerpts from reviews of some of the worst movies he's ever seen. (Click on the titles for the full reviews.) It's not just their measly ratings -- from zero to 1.5 stars -- but what Ebert has to say about them that really conveys their true awfulness.
George C. Scott is dead at 71. He was a powerful screen and stage presence whose enormous range was illustrated by his two famous military roles: Gen. Buck Turgidson in "Dr. Strangelove" and Gen. George C. Patton in "Patton."
Q. Apparently there is a new movie coming out named "An Alan Smithee Film," written by Joe Eszterhas and directed by Arthur Hiller, and it has led to a lot of publicity about "Alan Smithee" and his checkered career. What is your favorite Alan Smithee film? (Casey Anderson, Schaumberg)
Q. When I walked out of "Hoop Dreams," I said to my date it was the best movie I had seen in years. After talking endlessly about it to anyone who would listen to me, I have convinced myself that it was one of the top three movies I have ever seen. The fact that it was not nominated for an Oscar tells me the Academy is a political backscratching organization that doesn't have a clue. I cannot express how disappointed I am. (Kevin Brouillette, Kansas City, Mo.)
"You don't know me," said the great-looking blonde in the wraparound fur, "but I know you."
"I'm really a director now," Maximilian Schell was saying. "That's how I've thought of myself for the last few years. It's just that once in a long while a role comes along that I simply can't turn down. This was a role like that - how could I say no to it?"