Jason Bourne is a film that, as a fan of the series, I kept trying to like. It just wouldn’t let me.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Hany Abu-Assad, director of "The Idol."
Our Far-Flung Correspondent Brings Explosive Polish 1980s Sci-Fi to NYC
Los Angeles is a behemoth or, better, an octopus, with tentacles stretching 468.67 square miles, a fact that shocked me when I moved here in 1990. That meant that it was bigger than the distance consumed by driving to and from Chicago from my hometown, Kewanee (150 miles southwest), and back again. I soon realized that one could easily live an entire lifetime in Los Angeles and never see it all. This also meant that so much was always going on, including really desirable events, many of which would most certainly be missed.
I got caught in the Indiana Jones whirlwind and allowed an important anniversary to pass unremarked: On May 16, Studs Terkel celebrated his 96th birthday. One of the great American lives continues to unfold. If I know Studs, the great day passed with calls and visits from friends, and the ceremonious imbibing of one (1) gin martini, very dry. I hope he has eliminated the daily cigar, but I'm not taking odds. If you don't know Studs, there are few people you can meet more easily in print. He is the greatest conversationalist I've met, the author of a shelf-full of books in which he engages people from all walks of life in thoughtful conversations about their own lives.
Roger Ebert's best movie lists from 1967-present
Film festivals allow you to get way ahead on your movie viewing. At Sundance, Cannes, Telluride and Toronto you can see movies that will be released throughout the coming year and into the next. That's what Roger Ebert does every year, and here are some of the movies he's already written about for the next few months, into November....
PARK CITY, Utah – On the last day of Sundance 2006, I went to see one final film, named “Man Push Cart.” It was playing at 8:30 a.m. in the Prospector Square Theater, which is a large room filled with fairly comfortable folding chairs. The movie tells the story of a young man who was once a rock star in his native Pakistan, but now operates a stainless steel push cart on the streets of Manhattan, vending coffee, tea, muffins and bagels (“You want cream cheese?”).