Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.
An essay on the underrated scores of late composer James Horner.
A rebuttal to Joni Edelman's piece on "Inside Out."
On the look and sound of "The Third Man."
A review of Josh Karp's “Orson Welles’s Last Movie: The Making of ‘The Other Side of the Wind’”.
A discussion of the works of the great film composer James Horner.
Over the course of three films, Pete Docter has done what so many other family films do not: taken children seriously.
A critic looks back on the films that formed the way she reads cinema and life.
Want to watch Life Itself on Roger's birthday? Here's how.
Being young, white male directors with one indie hit gets you a blockbuster like Jurassic World. Why doesn't the same hold true for female directors and directors of color?
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.