In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Lean on Pete

I marveled at the humanist depth of the world Haigh creates, one that can only be rendered by a truly great writer and director, working…

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This 2018 release feels like it arrived fresh from 1974, and that is what makes it a delight.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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You like Borat? Or no?

"Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan" is a uniter, not a divider. Critics, at least, are strongly united in liking Borat very much (with ratings in the 90s the week of its release). But those few dissenters who've hated it have hated, hated, HATED it. But do they understand it? Who is the butt of Borat's humor? Is he just a contemptible bigot? A naive ignoramus? A Kazakh Roberto Benigni with a fat moustache? If he's offensive (in a scatological, un-PC, "South Park"-ish way), what exactly is the nature of his offense? Does he undermine stereotypes or just exploit them? Does he offend everyone equally, or is he more discerning about choosing his targets and how he approaches and portrays them? Is he anti-American? Anti-Kazakhstan? Anti-Semitic? Anti-bigotry? Does he get enough potassium? Or does he cramp your style?

My review of "Borat" is here.

Read more, including some hairy naked critical wrasslin' -- and be sure to weigh in with your own impressions (comments, that is) -- here:


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