The Curse of La Llorona
The plot feels fairly mild, as if one of our traditional dishes was made without enough seasoning.
They completely lost me with the time travel stuff, which became so arbitrary I just stopped caring. But the series finale did make me weep a few times (especially when Vincent showed up at the very end). Glad that it all concluded with the image it needed to end with (an eye closing, not opening -- "Avatar" stole the latter for its ending). None of the Island Mythology made any sense to me (what's with the big stone cork stopper at the bottom of the glowing cave waterfall -- surely the Cheesiest TV Special Effect Since The Original Star Trek?). It seems to me that LOST went "sideways" long ago, with that wasted half-season that took place in the old zoo on the Other Island (references to which were significantly downplayed in the finale). Everything after that had little or nothing to do with the concerns of the first few seasons -- The Others, the Dharma Initiative, etc. The Jacob/Brother With No Name thing was lame beyond lame. But, still, the finale kind of redeemed a lot of the interminable padding of the last several years -- mainly by ignoring them and by re-framing The Island as a peak experience that bonded a group of people, even if the Thing Itself had no intrinsic meaning. You know, like being together in the army, or a college dorm, or a TV series for a few years... Still, some people have a few questions...
Oh, and in case you forgot: It was Nikki and Paulo's story all along.
Jessica Ritchey on the episodes of The Twilight Zone that she thinks about the most.
A review of the new six-episode Netflix series, written, directed by, and starring Ricky Gervais.
John McNaughton talks about the making of his underrated 1993 film, Mad Dog and Glory, on the occasion of a special e...