One never senses judgment from Dano, Kazan, Gyllenhaal, or Mulligan—they recognize that there’s beauty even in the mistakes we make in life. It’s what makes…
In case you hadn't noticed: Comments are working, and some good discussions have been started -- annotations to particular Opening Shots and (especially stimulating) various reactions to my diatribes against the Slate writer who bashed "The Searchers" for his own anti-intellectual, anti-"film geek" reasons that have little or nothing to do with the movie. (And will somebody please respond to Kevin's questions about the character of Debbie?) I've set it up so that the newest comments are at the
top bottom -- like the blog itself (or an e-mail thread). Let me know how that works for you.
I've got LOTS of Opening Shots contributions backed up, but not to worry: I plan to work through them for as long as it takes. Some people have written asking if it's too late to submit something. Hell, no! It will never be too late. Even if everybody else stops sending them in, I'm going to continue indefinitely. This is an inexhaustible subject; I can't imagine I'll ever run out of opening shots to think about, write about, and savor.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.
A look back at one of the best films of all time.