MZS
Please, critics, write about the filmmaking
Why film critics should write about filmmaking.
Why film critics should write about filmmaking.
This intense and poignant drama from writer-director Tom Gilroy is about a young man whose world is suddenly turned upside-down; it's a throwback to 1990s American indie films that were more about atmosphere, characterization and regional detail than gimmicks.
I can't imagine anyone who liked the show not enjoying this movie, even though the first half is stronger than the second. All in all the movie delivers what you expect but not in the way that you expect it.
A half-hour documentary about David Milch's Western drama "Deadwood," which premiered ten years ago this week on HBO. Written by Matt Zoller Seitz, edited by Steven Santos, narrated by Jim Beaver.
This adaptation of Jay Ward's 1960s cartoon is sweet and bombastic, clever and weirdly reactionary.
Scout Tafoya's video essay series The Unloved reconsiders Tron: Legacy.
A video from Nelson Carvajal muses on film's depiction of television as the nightmare medium.
Ben Wheatley's historical drama "A Field in England," about a group of men wandering the countryside during the English civil war, is at once too little and too much. But this is to be expected from such a profoundly visceral movie.