In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

The Aeronauts

The thrill of The Aeronauts lies in its death-defying stunts.

Midnight Family

This documentary about a family-owned private ambulance service in Mexico City is one of the great modern films about night in the city.

Other reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other reviews
Great Movie Archives

My Favorite Roger: Lisa Nesselson

"Love and Hate and Knowing, or Do Wings Have Angels?"

Why did I choose this blog post?

My immediate thought goes to this one, in which Roger defends the Alex Proyas film "Knowing" and eloquently goes to bat for Nicolas Cage's right to exist. Since David Gordon Green's "Joe" hit the fall festival circuit colleagues have been hailing it as a "return to form" for Cage. "Joe" is fine, but it's not FUN. "Knowing" is outrageous FUN. It does one of the things movies do best which is take us places we're unlikely to go in any semblance of our real lives. Roger's arguments for why the movie is way better than the critical establishment cares to admit could be applied to, say, "The Lone Ranger"—another movie I enjoyed because I was unaware that I was "supposed" to hate it.This essay inspired an incredible string of reader comments, almost all of them worth reading. I remember reading through the comments and Roger's comments to the comments and thinking "Gosh, not only was the movie fun but reading what other people have to say about the movie and the questions it raises is also fun."

I remember feeling grateful that Roger had a blog and that it was attracting so much high caliber activity.

Advertisement

Popular Blog Posts

Not defending the Marvel Cinematic Universe

A Far Flung Correspondent weighs in on the MCU controversy.

The Best Television of the Decade

The top 50 shows of the 2010s.

The Unloved, Part 72: Solaris

Scout Tafoya's video essay series about maligned masterpieces celebrates Steven Soderbergh's Solaris.

Cannes 2019: Once Upon a Time ... in Hollywood

A review of the newest film by Quentin Tarantino.

Reveal Comments
comments powered by Disqus