With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…
I loved your response to those critics who named "Crash" the worst movie of 2005. Here's my favorite part:
"Consider now Foundas describing the black TV director who stands by fearfully as a cop assaults his wife. Terrence Howard, Foundas says, plays the 'creepy embodiment of emasculated African-American yuppiedom.'"
Forget the situation -- two white cops with guns, etc. Did that critic completely miss what happens later in the film, when the "creepy embodiment of emasculated African-American yuppiedom" fights off two car-jackers, disarms an intellectual thug, and then, in a display of reckless bravado, refuses to acquiesce to the commands of three armed LAPD police officers whose guns are pointed at him? Hmm... he doesn't sound so emasculated to me. I guess it's possible for the same person to have an alter ego diametrically opposed to the one we think we know.
What a great premise for a movie!
Buffalo, New York
(Perhaps one’s reading of the character depends on whether you saw Terrence Howard’s actions motivated by righteous courage, or impotent rage resulting in an attempt at “suicide-by-cop”? -- editor)
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
NEW YORK It's a tradition of the celebrity roasts at the Friar's Club that everything goes - that no joke is in such ...
An epic essay on an epic comedy of the 1960s, now given deluxe treatment on Blu-ray and DVD by Criterion.