
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
The actor talks about his long-standing relationship to Czech cinema and some of his most memorable characters and collaborations.
The actor talks about his long-standing relationship to Czech cinema and some of his most memorable characters and collaborations.
The Iranian director on his latest, life-affirming feature, which just premiered at the festival.
The director of the Netflix action sequel talks about the long wait between pictures and the importance of community for Black female filmmakers.
The co-star of the Apple TV+ series talks about making unusual choices and the best advice she ever got about acting.
An interview with the writer-director of A24’s latest dramedy.
The writer-director and star discuss “the politics of embodiment,” the fine nuances of scripting movement, and disrupting old narratives of decline.
An interview with Myrin New, head of MyNew Technologies.
An interview with the collaborators and stars of their quirky microbudget road movie.
The filmmaker talks about his relationship with Roger and wresting the film back from Harvey Weinstein’s clutches.
An interview with writer/director Mike Flanagan.
An interview with the director of the earliest extant film directed by a woman from Iran.
An interview with the writer-director of IFC Films’ shark-themed serial killer thriller.
An interview with the author of a new memoir on the pioneering actor, producer, and husband of Lucille Ball.
The filmmaker talks about his longstanding friendship with Tim Robinson, building comedy out of male emptiness, and more.
An interview with the author of a new book about teen flicks, from Breakfast Club to Rebel Without a Cause.
An interview with Dea Kulumbegashvili, the director of the critically acclaimed “April.”
The action director takes us blow-by-blow through his latest melee for Netflix.
The actor discusses the importance of wonder in his creative process for A24’s latest.
The Chinese-American director talks about the film’s many long takes, filmmaking as grief process, and more.