Like listening to someone else tell you about their dream.
It’s unfortunate that the late Gregory Hines didn’t live long enough to see his role restored to its original glory, but The Cotton Club Encore reminds us how much of a triple threat he was.
A dispatch from the New York Film Festival on the latest from Kelly Reichardt, Oliver Laxe, Eloy Enciso Cachafeiro, and Pietro Marcello.
It’s a deeply personal and very moving film, anchored by the best work of Antonio Banderas’ career.
A dispatch from the New York Film Festival on the latest from Arnaud Desplechin, Justine Triet, Lou Ye, and Martin Scorsese.
A dispatch from the New York Film Festival on the latest from Diao Yinan, Pedro Costa, Albert Serra and more.
A recap of Austin's glorious genre event Fantastic Fest.
As social commentary, Joker is pernicious garbage.
An article about the Chicago Stories Gala presented by Victory Gardens Theater on October 5th, 2019, showcasing debuting playwrights Chaz Ebert and Stacy Janiak, honoring Justina Machado and Phillipa Soo and featuring presenter Steve James, among others.
A preview of Friday's Ebert Symposium panels on Diversity in Journalism and National Hispanic Heritage Month.
Despite some graceful images like a wave of flowers and a ride on a giant dandelion, Abominable lacks the personality to distinguish it from superior animated films that cover most of the same ground.