A wild whirlwind of a mess, without any coherence, without even a guiding principle.
"American Masters: Inventing David Geffen" premieres Tuesday, Nov. 20th at 8:00pm on PBS. (Check local listings.) It can also be viewed, where available, via PBS On Demand.
by Jeff Shannon
It was my good fortune to be working at Microsoft when the big announcement was made in March of 1995: Microsoft was entering into a joint venture with DreamWorks SKG, the new film studio and entertainment company founded the previous year by mega-moguls Steven Spielberg, Jeffrey Katzenberg and David Geffen (the "SKG" in the company's original moniker). At the time, Microsoft dominated the booming business of multimedia publishing, and the group I was working in, nicknamed "MMPUB," was producing a dazzling variety of CD-ROM games and reference guides. As an independent contractor I was the assistant editor of Cinemania, a content-rich, interactive movie encyclopedia (later enhanced with a website presence) that was an elegant and in some ways superior precursor to the Internet Movie Database.
"All Together," or "Et si on vivait tous ensemble?" (97 minutes) is available via VOD on various cable systems, and on iTunes, Amazon Instant and Vudu.
The cinema of 2012 is brought to you by Viagra, or so it seems. The year has been chock full of movies about horny old people. Sure, the characters still complain, have aches and pains, and deal with moments both senior and regrettable. But Nana's also out to prove she's still got the ill na na, and Gramps is in the mood like Glenn Miller on an endless loop. Films like Dustin Hoffman's "Quartet," with its randy Billy Connolly, and the main characters of Stephane Robelin's "All Together" dispel the myth that once you go gray, the sex goes away. These folks are reclaiming "bitch and moan" from its grumpy origins, and turning the phrase into a cause-and-effect relationship.
"The Girl" premieres on HBO at 9:00pm (8:00pm Central) on Saturday, Oct. 20. It will also be available on HBO GO.
by Jeff Shannon
October, 1961: A New York fashion model on the verge of Hollywood stardom, 31-year-old Tippi Hedren (Sienna Miller) is invited to a celebratory lunch with legendary film director Alfred Hitchcock (Toby Jones) and his wife Alma (Imelda Staunton), who's also his long-time collaborator. A divorced single mother (of future actress Melanie Griffith, then four years old), Hedren is plucked from obscurity to star in "The Birds," Hitchcock's highly anticipated follow-up to his phenomenally successful 1960 thriller, "Psycho." After Alma sees her in a TV commercial ("I like her smile," she says to "Hitch"), she arranges a meeting. Secretly smitten, Hitchcock directs Hedren's screen test in his own Bel Air home and, shortly thereafter, offers a toast.
"Paul Williams Still Alive" (87 minutes) will be available on VOD October 16th via (Comcast, Time Warner, Cox, Bright House, among other cable providers), iTunes, VUDU, YouTube, Amazon, Sony (Playstation), Microsoft (Zune, Xbox), Blockbuster, AT&T, DirecTV, DISH.
by Donald Liebenson
In begrudgingly recommending "Paul Williams Still Alive" to his legion of fans, I am reminded of a Rolling Stone magazine review of Janis Joplin's first solo album, "I Got Dem Ol' Kozmic Blues Again Mama!" Janis never sounded better, the reviewer said, but to enjoy her, you had to be able to tune out her backup band. A similar caveat is necessary here. Enjoyment of "Still Alive" will depend on your tolerance of writer-director Stephen Kessler, who takes Williams' joke at one point that the documentary could become the "Paulie and Steve Show" as a carte blanche invitation to intrude on the proceedings.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
"Bachelorette" opens in theaters September 7, and is available on demand via iTunes, Amazon.com, Vudu.com and Google Play.
By Jana Regan Monji
In this reality-TV ruled world, the word bachelorette seems firmly attached to the legacy of Trista Rehn and the female spin-off of a competitive dating game. Yet in writer/director Leslye Headland's dark comedy, "Bachelorette," the subject isn't the tricks and lines men use in the warfare of love but how three women deal with being on the downside of not-married when the least conventionally attractive of their high school clique is preparing to walk down the aisle. This cocaine-fueled cattiness never rises above callow, although the acting talent is deeper than the script.
"The Life and Death of a Porno Gang" is available on DVD and Blu-ray from Synapse films.
Cinema, that traditionally aristocratic medium, has always found unlikely ways to commiserate with the working man and the poor. In America, King Vidor's "The Crowd" showed us a man trapped on the treadmill of lower middle class survival in the big city. A few years later, Frank Borzage's "Man's Castle" gave us Spencer Tracy as a street hustler who learns that Depression-era struggle is no excuse to turn his back on a chance at family life. It's the same in every country, every era: Societies that place the bulk of their economic burden upon the low man's shoulders often send that man scrambling in the opposite direction of happiness, in the name of happiness. A random spin of the world cinema wheel will turn up great directors whose finest work touches on this phenomenon: Ken Loach, Ousmane Sembene, the Dardenne brothers, Ulrich Seidl, the Italian neorealists, the blacklisted Americans, and so on.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is Part 2 of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here.
"Unethical? Jesus, Larry. Don't start pulling at that thread; our whole world will unravel." -- Artie (Rip Torn)
by Edward Copeland
Unravel those threads did -- and often -- in the world of fictional late night talk show host Larry Sanders. On "The Larry Sanders Show," the brilliant and groundbreaking HBO comedy that paid attention to the men and women behind the curtain of Sanders' fictional show, the ethics of showbiz were hilariously skewered.
"With Great Power: The Stan Lee Story" is available on-demand at Netflix.com, Amazon.com, iTunes, EpixHD.com and Vudu.com. Stan Lee will be attending a special screening of "With Great Power" at the Stan Lee Comikaze Expo in Los Angeles on September 15, 2012.
By Jana Spider-Woman Hulk Daredevil Wonder Woman Beast Monji
The title, "With Great Power: The Stan Lee Story," is a tip off, but if the only Uncle Ben you know is a nattily dressed black gentleman who sells conveniently packaged rice, then Stan Lee wants to invite you to his Marvel universe. This is the world where Uncle Ben adopted his orphaned nephew who would be bitten by a radioactive spider in high school. That sullen, selfish teen would soon find that the bite of karma can be transformational and he becomes a super hero with an attitude: Spider-Man.
"About Cherry" (102 minutes) is available now on demand at IFC, iTunes, Amazon Instant and SundanceNow. Opens theatrically September 21, 2012 in New York.
After reading the synopsis for "About Cherry," I figured I had it pegged. Here's a movie about a fresh-faced, clean-cut American girl named Angelina who goes the photographic Full Monty before graduating to porn. "Oh brother," I thought. "Another cautionary tale." In American cinema, you just can't enjoy sex. There has to be some consequence for all the ejaculations of "oh god!" and "yes I said yes I will Yes." If you're a man, you tend to get off scot free. But a woman who enjoys the same activity might as well be struck by lightning onscreen. So I expected poor Angelina to run afoul of drugs, sexual abuse and possibly fatal violence. The press materials seemed to support my supposition: "But Angelina's newfound ideal lifestyle soon comes apart at the seams," it ominously states. I braced myself for the worst.
Eighteen-year old Angelina (Ashley Hinshaw) lives in Southern California with her younger sister (Maya Raines), her alcoholic mother (Lili Taylor) and Mama's latest man. Angelina yearns to escape her dismal home life, so with a little coaxing from her rock band boyfriend (Johnny Weston), she visits his photographer buddy Vaughn (Ernest Waddell). Vaughn shoots erotic photos, and Angelina is both erotic and photogenic. The photo shoot is such a rousing success that Weston demands Angelina avoid Vaughn for future shoots. Angelina dumps the rocker.