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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Omer M. Mozaffar

Omer M. Mozaffar

Omer M. Mozaffar teaches at Loyola University Chicago, where he is the Muslim Chaplain, teaching courses in Theology and Literature. He has given thousands of talks on Islam since 9/11. He is also a Hollywood Technical Consultant for productions on matters related to Islam, Arabs, South Asians. 

In 2009, Roger Ebert named him as one of his “Far Flung Correspondents.” In 2011, the Graham School of the University of Chicago honored him with an “Excellence in Teaching Award” in Humanities, Arts and Sciences. He is a lifelong Chicagoan, involving himself in various educational, social service and charitable projects.

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A Stray

(2016)

A Sinner in Mecca

(2015)

Valley of Saints

(2015)

These Birds Walk

(2013)

Not Yet Begun to Fight

(2013)

The Reluctant Fundamentalist

(2013)

No

(2013)

The Sweeney

(2013)

The Gatekeepers

(2012)

Lost in Thailand

(2012)

Stolen Seas

(2013)

In the Hive

(2013)

Consuming Spirits

(2013)

Struck by Lightning

(2013)

Omer Mozaffar, a Pakistani-Chicagoan, revisits "The Five Deadly Venoms" (1978)

May contain spoilers

After following the discussions of my review of "Avatar," I decided to revisit a movie I so thoroughly enjoyed in my younger days. If you have not yet seen it, I hope you soon get the chance to watch "The Five Deadly Venoms," directed by one of the great Martial Arts directors, Chang Cheh (1978). And, tell me what you think of it.

"The Five Deadly Venoms" has an interesting premise: A teacher has trained a team of five martial arts fighters, each in a specific deadly martial arts style -- centipede (striking at high speeds), snake (able to strike while lying on the ground), scorpion (with powerful kicks), lizard (able to scurry along walls), and toad (thick skinned). Which of these five styles most resembles you? I, obviously, am most like the toad.

This movie has now taken on a new life for me, appealing in a different way than in the past.

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Omer Mozaffar, a Pakistani Chicagoan, discusses James Cameron's "Avatar"

May contain spoilers

I was born in Karachi, Pakistan, at a very young age. My beloved parents rode the huge wave that was the South Asian diaspora, landing here in Chicagoland, where I've been ever since. Thus, like many of my peers, I've been in a state of constant exile.

On the South Side of Chicago, I'm a Pakistani. In the rest of Chicago, I'm a Southsider. In the rest of America, I'm a Chicagoan. In the rest of the world, I'm an American. That is today's "normal," isn't it? We are simultaneously, unintentionally local and global. Still, the most comfortable spot for me is a center seat in the anonymous darkness of a crowded theater on the opening night of a movie. If you are reading this note on Roger Ebert's blog, then perhaps you feel the same way.

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