Great Movies
Festivals & Awards
Sundance 2020: Possessor, Surge, The Killing of Two Lovers
On three dark films from Sundance about the violence of the human condition.
Brian Tallerico, the Editor of RogerEbert.com, has covered television, film, video games, Blu-ray/DVD, interviews, and entertainment news for two decades online, on radio, and in print.
In addition, he is a TV writer for Vulture.com, a contributor at Rolling Stone, and freelancer for multiple outlets, including The New York Times, The Playlist, and Rotten Tomatoes. He also serves as President of the Chicago Film Critics Association, co-produces the Chicago Critics Film Festival every May, and is a regular guest on radio stations and podcasts.
You can follow him on Twitter @Brian_Tallerico. Read his answers to our Movie Love Questionnaire here.
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On three dark films from Sundance about the violence of the human condition.
On two Sundance films from the Midnight program, the excellent Relic and the promising Amulet.
On three of the most-buzzed docs of Sundance 2020, including the devastating latest from the directors of The Hunting Ground and The Invisible War.
A review of two Sundance stand-outs about creatives and the passive-aggressive wars they wage.
A review of three docuseries that premiered at Sundance - they're all great.
On two Sundance Dramatic Competition films.
A review of three films from the U.S. Documentary Competition program of Sundance.
A review of three star-studded films from Sundance.
On three docs at Sundance about The Go-Go's, Ren & Stimpy, and the Mirandas.
A review of two of the first films of Sundance 2020, Bad Hair and Miss Juneteenth.
