Lucy in the Sky
There’s a point at which this joke stops being funny and turns sad, and it’s very early in its over two hours runtime.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
FREEPORT, Grand Bahama Island -- Sam Peckinpah's "The Wild Bunch," which is possibly the most violent film ever made, stirred up a bitter controversy here. Film critics splint into many camps at an extraordinary press conference, and even co-stars William Holden and Ernest Borgnine seemed slightly squeamish about the movie. But just about everyone agreed that "The Wild Bunch" will be this summer's top box-office draw, for better or worse.
She was such a little girl when she started off down the Yellow Brick Road. So little and helpless and starstruck: "Gee, Mister Gable," she once sang, "can I have your autograph?"
HOLLYWOOD - There is nobody who can tell you what Michelangelo Antonioni's new film is about, not even Antonioni. On a quiet Saturday morning, he sits curled at one end of a sofa and talks about the futility of it all.
Out on the Colorado locations for "Downhill Racer," Robert Redford was limping and wincing occasionally when his foot landed the wrong way. He had injured his knee in a snowmobile accident. It was bad enough to have your knee banged up, but when you were making a movie about skiers, and doing a lot of the skiing yourself, it was murder.
LOS ANGELES -- This was a restless man. He rocked on the balls of his feet. He looked, turned, looked back to where he'd turned from. Demons were gaining. He peered out the window. Opened the door. Closed the door. Peered out the window. Evoked a pastoral image.
It's easy enough to tell a filmmaker what you liked about his movie. He nods and agrees and discovers you're quite a perceptive fellow. But when you start talking about what you didn't like...
ROME - Not far away, the big jets were landing at Rome airport. They came in low over a Roman galleon that rocked in the surf of the Mediterranean. Scattered on the beach next to the galleon were packing crates, dozens of them, and stretched on top of one crate was a dead body wrapped in gauze.
Fourteen months we were trying to get someone to believe in that picture," Raymond Stross said. "We had our own money in it. All of our money. Everything except the house. And all the time people were telling us, make a Hollywood picture. Make a commercial picture. 'The Fox' will never make a dime."
CARTAGENA, Colombia -- "Too much Coke and lime juice," Gillo Pontecorvo said, gingerly pressing his fingertips against his stomach. "We were out in the sun all day and we, drank too much. Ohhh. What's funny, it only makes you more thirsty. Come, we go home. My little boy is mal all day today; I must see him before he goes to sleep."
LONDON - "Well, you've got to pay taxes one way or the other, so why not plow it back into the industry?" David Hemmings asked. "Actors can be big dollar-earners. That was the reason the Beatles were on the Queen's List, wasn't it? Because they were such a help in the balance of payments."