The Lion King
The movie is never less interesting than when it's trying to be the original Lion King, and never more compelling than when it's carving out…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
A preview of this year's Fantasia International Film Festival, including our most anticipated movies.
A review of two new clever guides that merge travel and television.
An interview with writer/director Lulu Wang about The Farewell.
A tribute to Milos Stehlik, Chicago film icon.
While the gun barrel sequences in James Bond films have not changed a great deal visually, one element that has evolved constantly is the music.
Valerie Weiss on her path to Hollywood; Emily Lape and Alison Hixon on "Mercy's Girl"; Alma Har'el's plan for female directors; Four-part "Hateful Eight"; Lisa Hanawalt and Raphael Bob-Waksberg.
A presentation of the horror short How to Be Alone, written and directed by Stranger Things writer Kate Trefry, and starring Joe Keery and Maika Monroe.
This is the most purely entertaining season of Stranger Things to date.
An interview with Cary Elwes and Dacre Montgomery, stars of Netflix’s Stranger Things 3.
A look at the 2019 New York Asian Film Festival, starting this weekend.