Hulu’s Bold “A Thousand Blows” Is the Most Riveting Series of the Year
Stands out as a thrilling and heartfelt examination of race and class in 19th-century London.
Stands out as a thrilling and heartfelt examination of race and class in 19th-century London.
The intensity of this season has an immense impact on its characters, and although they unfortunately suffer, it makes for some of the best television of the year.
Hunt can only do so much with co-stars who either don’t or aren’t meant to have chemistry with her character.
“Witcher” diehards might well make do with “Sirens” as a consolation prize. But it does feel like settling for less.
The mixture may get a bit muddled at times, but it’s still pretty satisfying in a way that the blockbusters that actually make it to theaters nowadays rarely are.
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
“La Dolce Villa” is about as authentic an Italian experience as a night at the Olive Garden.
Might be my favorite season yet.
The romance feels real, kinetic, in the way only new relationships can.
While the series feels desperate to engage with the dark side of wellness culture, it doesn’t necessarily have much to say.
Links to reviews of the biggest titles on Netflix this month.
It’s a show produced by algorithms and focus groups, a product with no pulse whatsoever.
Although “Lucca’s World” features an unorthodox plot twist for these kinds of movies, the film itself is pretty unsurprising.
“You’re Cordially Invited” is reheated comedy leftovers, for the most part, but there’s enough warmth, sentimentality, and belly laughs to make for a raucous timewaster.
It’s truly the best animated iteration of Peter Parker since “The Spectacular Spider-Man.”
A consistently easy watch, only feeling hollow in retrospect. It moves quickly enough that you don’t really notice it’s not nutritionally satisfying. Sometimes that doesn’t matter.
“Sly Lives! (aka The Burden of Black Genius)” is a sonic kick to the soul.
There is no point to CBS’s utterly stale procedural “Watson.”