“North of North” Carefully Balances Darkness and Charm
“North of North” will draw you in and hold you close.
“North of North” will draw you in and hold you close.
A good season of Black Mirror dropped today! 2025 keeps surprising.
“The Last of Us” succeeded as a game franchise because it trusted the emotional intelligence of gamers, and the show does the same for TV viewers.
Still the best comedy on television.
The pressure of life-or-death stakes, paired with the unbeatable chemistry of each and every cast member, makes this series feel like lightning in a bottle.
Shankar’s take is a gleefully violent, high-octane action adaptation with a punk edge.
A tragic, albeit shallow, examination of a class that is at war with itself.
“The Bondsman” has a hard time making its demon fights seem, well, fun.
Films new to Netflix this month include Bonnie and Clyde, Psycho, The Age of Innocence, American Sniper, and many more.
“MobLand” is familiar but effective.
Mimi Cave’s “Holland” is a lifeless affair, a film that defies genre categorization not by virtue of doing too much but because it does almost nothing at all.
A moving reminder of what truly matters: getting the most out of every minute of life.
“Side Quest” is an easy watch, but a forgettable one.
Every cameo is another brush stroke in the portrait rendered by “The Studio”: A collective middle finger to the system, sent with love.
Perry feigns engagement with serious themes, such as racial profiling, media manipulation, domestic violence, and policing, but uses them as if they are Play-Doh.
“The Residence” is a comedy of manners and murder that nails scintillating satire to the White House walls, compelling us to step inside.
I walked away from “Happy Face” having mostly enjoyed the experience of watching it, but I couldn’t say I was smiling.
One can’t help but wonder what the 150-minute film version directed by Scott would have looked like.