TIFF 2018: Loro, The Front Runner
A review of new films from Paolo Sorrentino and Jason Reitman.
A review of new films from Paolo Sorrentino and Jason Reitman.
An updating table of contents featuring all of our coverage of the 2018 Toronto International Film Festival.
On two films from TIFF, including the Opening Night offering starring Chris Pine.
A review of Sebastian Lelio’s Gloria Bell, starring the amazing Julianne Moore.
Glenn Kenny talks about his time participating in the Biennale College at the Venice Film Festival, and reflects on catching restorations of The Ascent, Some Like It Hot and Nothing Sacred.
The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any wonder that Fahrenheit 11/9 has an everything-and-the-kitchen-sink approach?
A review of three of this year’s biggest Cannes hit from international master filmmakers.
Reviews from the Venice Film Festival of the latest by Jennifer Kent and Carlos Reygadas.
On two quirky documentaries from TIFF 2018.
A recap of the films that played at this year’s Telluride Film Festival, including First Man, Can You Ever Forgive Me?, Boy Erased and more.
A report from the Venice Film Festival on the latest from directors Brady Corbet, S. Craig Zahler, and Julian Schnabel.
On two new films from Venice, including a career best piece of work by John C. Reilly.
A compilation of Roger’s thoughts on the Toronto International Film Festival.
A table of contents for all of Glenn Kenny’s coverage of the Venice Film Festival.
A review of new films by Luca Guadagnino, Mike Leigh, Olivier Assayas, and the Coen brothers from Venice.
The 20 films world premiering at the Toronto Film Festival that you can expect to find covered here over the next week, among many others.
A review of new films by Bradley Cooper and, believe it or not, Orson Welles.
An article about Claire Denis, the latest recipient of the Golden Thumb at our annual TIFF Ebert Tribute luncheon.
A review of new films by Alfonso Cuaron and Rick Alverson from the start of the Venice Film Festival.
Bill Morrison’s graphic novel based on the movie comes out this week, from Titan Comics.