Festivals & Awards
TIFF 2018: Maya, Jeremiah Terminator LeRoy, Skin
On three more TIFF premieres about identity.
TIFF 2018: Green Book, First Man, Hotel Mumbai
On three very different films from TIFF 2018 that fall into one of the most popular categories of this fest every year, the true story.
TIFF 2018: Beautiful Boy, Ben is Back
A review of two new films about addiction from TIFF, one starring Timothee Chalamet, the other Lucas Hedges.
TIFF 2018: A Faithful Man, Non-Fiction
Reviews from the Toronto International Film Festival on Louis Garrel’s sophomore feature and Olivier Assayas’ latest.
TIFF 2018: Mid90s, Her Smell
Reviews from the Toronto International Film Festival of Jonah Hill’s directorial debut and the latest from Alex Ross Perry.
TIFF 2018: The Death and Life of John F. Donovan, Vox Lux
On new films by Xavier Dolan and Brady Corbet, both starring Natalie Portman.
TIFF 2018: Greta, The Hummingbird Project, The Dig
On three films from TIFF, including a new one from Neil Jordan.
Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a joy to meet.
TIFF 2018: Donnybrook, 22 July
Reviews from the Toronto International Film Festival on the latest by Tim Sutton and Paul Greengrass.
TIFF 2018: Destroyer, Boy Erased
A review of two VERY different films starring the wonderful Nicole Kidman, Boy Erased and Destroyer.
TIFF 2018: Loro, The Front Runner
A review of new films from Paolo Sorrentino and Jason Reitman.
TIFF 2018: Table of Contents
An updating table of contents featuring all of our coverage of the 2018 Toronto International Film Festival.
TIFF 2018: Outlaw King, Transit
On two films from TIFF, including the Opening Night offering starring Chris Pine.
TIFF 2018: Gloria Bell
A review of Sebastian Lelio’s Gloria Bell, starring the amazing Julianne Moore.
Venice Film Festival 2018: Biennale College Films and Restored Classics
Glenn Kenny talks about his time participating in the Biennale College at the Venice Film Festival, and reflects on catching restorations of The Ascent, Some Like It Hot and Nothing Sacred.
Fahrenheit 11/9
The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any wonder that Fahrenheit 11/9 has an everything-and-the-kitchen-sink approach?
TIFF 2018: Burning, Shoplifters, 3 Faces
A review of three of this year’s biggest Cannes hit from international master filmmakers.
Venice Film Festival 2018: The Nightingale, Nuestro Tiempo
Reviews from the Venice Film Festival of the latest by Jennifer Kent and Carlos Reygadas.
