Fantasia 2017, Day 6: “Bad Genius,” “Super Dark Times”
A dispatch on two of the best films from Fantasia 2017.
A dispatch on two of the best films from Fantasia 2017.
On three more films from Fantasia Festival, a trio that oddly fit together thematically, despite being from entirely different parts of the world.
A report on Monday from Fantasia 2017 on three new films, including a World Premiere.
Another day at Montreal’s Fantasia Festival features movies from Japan, Korea, and Ohio.
A second dispatch from Montreal’s Fantasia Festivals, including Godzilla, vampires, and the sophomore effort from the director of “We Are Still Here.”
A first report on three films from the opening days of Fantasia 2017.
A preview of this year’s Japan Cuts festival, which runs from July 13-23.
A preview of this year’s New York Asian Film Festival, now in its 16th year.
A report on the best of the 2017 Los Angeles Film Festival.
A report on two excellent films from this past weekend’s BAM from Stephen Cone and Jim McKay.
An interview with George Lepauw, Executive Director of the Chicago International Movies and Music Festival.
Lisa Nesselson on the true victim in the battle between Cannes and Netflix.
Chaz Ebert moderates the annual Critic’s Roundtable at Cannes with Lisa Nesselson and Jason Gorber.
A table of contents containing Chaz Ebert’s complete video dispatches from Cannes 2017.
Chaz Ebert reports on the winners of Cannes 2017 in her seventh video dispatch from the festival.
Chaz Ebert reports on “The Beguiled,” “Good Time,” “In the Fade” and more in her fifth video dispatch from Cannes 2017.
Swedish director Ruben Ostlund’s “The Square” won the Palme d’Or at the 70th Cannes Film Festival.
A report on three offbeat offerings from Cannes 2017.
We pay a visit to Alejandro G. Iñárritu’s “Carne y Arena,” the first virtual-reality piece to be “screened” in Cannes’ official selection.