Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Again this week, I'm double-posting a major review to permit your comments, which my main site can't accept--although they'll be added to our redesign, soon to be unveiled.
Ang Lee's "Life of Pi" is a miraculous achievement of storytelling and a landmark of visual mastery. Inspired by a worldwide best-seller that many readers must have assumed was unfilmable, it is a triumph over its difficulties. It is also a moving spiritual achievement, a movie whose title could have been shortened to "life."
"This is the best use of 3-D I've ever seen," I say to Ang Lee. And I mean it. His "Life of Pi," based on Yann Martel's novel about a shipwrecked boy, is an astonishment, not least because it never uses 3-D for its effect, but instead as a framing device for the story as a whole. There are, for example, shots where the point of view is below the sea's surface, looking up at the boat and into the sky beyond. The surface of the sea seems to be an invisible membrane between the water and the air. I've never seen anything like it.