Far Flungers
A One-Night Affair, A Day of Afterwards
Gathering the notion that excess equals legitimacy, studios as well as independents seem to have recently relegated the term "black" filmmaking to mean diversity-centric productions with market potential. In the past few years, as films like "Pariah," "Restless City," and "Middle of Nowhere" carve out singular representations of black perspectives. It seems damaging to believe that simple bait-and-switch tactics, as seen in Neil LaBute's remake of "Death at a Funeral," can fall under the same blanket classification.
