Pleasant enough but never quite as emotionally gripping as a coming-of-age story about acceptance can be, Troop Zero scores a handful of memorable moments when…
This film tells us that the gulf between what we want to know and what we can know may never be illuminated.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An article about the screening of Horace Jenkins' "Cane River" on Friday, November 1st, at the Academy Film Archive in Los Angeles.
Scout Tafoya's series on underrated films heads into the 2020s with a Tony Scott classic.
Scout Tafoya's video essay series about maligned masterpieces celebrates Steven Soderbergh's Solaris.
Theo Angelopoulos’ Landscape in the Mist is a work of art that comes from the feelings, the dreams, the sorrows, and the flashes of life…
Far Flung Correspondent Seongyong Cho pens a letter to Roger about Michael Apted's 63 Up.
A look ahead at 20 films we're excited to see at this year's Sundance Film Festival.
Theo Angelopoulos’ Landscape in the Mist is a work of art that comes from the feelings, the dreams, the sorrows, and the flashes of life…
The Accused (1988)
—
Det. Duncan
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
