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The House That Jack Built

Ultimately, it’s more of an inconsistent cry into the void than the conversation starter it could have been.

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The Mule

The Mule repeatedly spells out and hammers home its message about the importance of family, but it ultimately rings hollow.

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Schindler's List

This was published on June 24th, 2001, and we are republishing it in honor of the film's 25th anniversary rerelease."Schindler's List" is described as a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Beauties in black and white

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Q. You asked if readers raised on color had any thoughts on the B&W issue. I was born in 1971, and the worlds of television and cinema were fully in color. I grew up "hating" black and white, and dismissed it as something that was only used because there was no better option. In my teenage years, I saw two films that used black and white when color was readily available, and it worked exceptionally well: Woody Allen's "Manhattan," and David Lynch's "Eraserhead." These films convinced me that black and white is beautiful, and can help in the creation of mood and theme (although Lynch might have done "Eraserhead" in B&W for financial reasons).

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