Seeing Lopez’s best screen work since her early heyday of Selena and Out of Sight isn’t the only reason to check out writer/director Lorene Scafaria’s…
There's nothing below the surface of this soulless movie.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
An article about the inclusion of Sojourner Truth on Central Park's suffragette statue.
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
A reappreciation of a Billy Wilder classic.
FFC Seongyong Cho looks back at Alan J. Pakula's twisty thriller Presumed Innocent.
On three films from TIFF.
On three films from TIFF, including the latest from Ed Norton.
Joan Didion: The Center Will Not Hold (2017)
—
Herself
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
