At its best, Blaze feels like a cinematic translation of not just Blaze Foley’s life but his music, anchored by two incredibly likable, lived-in performances.
It would be impressive even without the palpable sense of connection and understanding that Liu brings to the material, but its easygoing intimacy is what…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
An article about Project Involve's inclusive storytelling in the Hollywood landscape as it celebrates its 25th anniversary with a fundraiser on Saturday, September 22nd.
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
A celebration of Jane Campion's "In the Cut," as part of a video essay series about maligned masterpieces.
A report from the red carpet premiere of the new hit film, "Crazy Rich Asians."
A look back at the Coen brothers' "No Country for Old Men."
A report from the red carpet premiere of the new hit film, "Crazy Rich Asians."
An interview with director/co-writer Aneesh Chaganty and co-writer Sev Ohanian about their new film, Searching.
The Woman Who Left (2017)
—
Petra
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
