Cast and Crew

Sacha Gervasi

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Reviews

My Dinner With Hervé (2018)
Odie Henderson

Writer, Director

November Criminals (2017)
Glenn Kenny

Writer , Director

Hitchcock (2012)
Roger Ebert

Directed by

Henry's Crime (2011)
Roger Ebert

Written by

Anvil! The Story of Anvil (2009)
Roger Ebert

Directed by

The Terminal (2004)
Roger Ebert

Written by

The Big Tease (2000)
Roger Ebert

Written by

Blog Posts

Ebert Club

#312 October 3, 2017

Matt Fagerholm  |  2017-10-03

Matt writes: This year's film festivals in Venice, Telluride and Toronto offered plenty of enticing titles set to open over the next few months, and RogerEbert.com publisher Chaz Ebert decided to highlight some of her favorites. In an essay entitled "Cupid Pierced My Tender Heart at the Movies," Ebert provides numerous recommendations, including captivating romances by Guillermo del Toro ("The Shape of Water"), Wim Wenders ("Submergence"), Paul McGuigan ("Film Stars Don't Die in Liverpool") and Luca Guadagnino ("Call Me by Your Name").

Ebert Club

#142 November 14, 2012

Marie Haws  |  2012-11-07

Marie writes: Remember Brian Dettmer and his amazing book sculptures?  Behold a similar approach courtesy of my pal Siri who told me about Alexander Korzer-Robinson and his sculptural collages made from Antiquarian Books. Artist's statement:"By using pre-existing media as a starting point, certain boundaries are set by the material, which I aim to transform through my process. Thus, an encyclopedia can become a window into an alternate world, much like lived reality becomes its alternate in remembered experience. These books, having been stripped of their utilitarian value by the passage of time, regain new purpose. They are no longer tools to learn about the world, but rather a means to gain insight about oneself."

Ebert Club

#138 October 17, 2012

Marie Haws  |  2012-10-11

Marie writes: the ever intrepid Sandy Khan recently sent me a link to ArtDaily where I discovered "Hollywood Unseen" - a new book of photographs featuring some of Hollywood's biggest stars, to published November 16, 2012."Gathered together for the first time, Hollywood Unseen presents photographs that seemingly show the 'ordinary lives' of tinseltown's biggest stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these "candid' images were as carefully constructed and prepared as any classic portrait or scene-still. The actors and actresses were portrayed exactly as the studios wanted them to be seen, whether in swim suits or on the golf course, as golden youth or magic stars of Hollywood."You can freely view a large selection of images from the book by visiting Getty Images Gallery: Hollywood Unseen which is exhibiting them online.

(click to enlarge image)

Ebert Club

#136 October 3, 2012

Marie Haws  |  2012-09-25

Marie writes: It's that time of year again!  Behold the shortlisted nominees for The Turner Prize: 2012.  Below, Turner Prize nominee Spartacus Chetwynd performs 'Odd Man Out 2011' at Tate Britain on October 1, 2012 in London, England.

(click image to enlarge.)

Ebert Club

#57 April 6, 2011

Marie Haws  |  2011-04-01

Marie writes: ever stumble upon a photo taken from a movie you've never seen?  Maybe it's an official production still; part of the Studio's publicity for it at the time. Or maybe it's a recent screen capture, one countless fan-made images to be found online. Either way, I collect them like pennies in jar. I've got a folder stuffed with images, all reflecting a deep love of Cinematography and I thought I'd share some - as you never know; sometimes, the road to discovering a cinematic treasure starts with a single intriguing shot....

A Streetcar Named Desire (1951) Cinematography: Harry Stradling(click images to enlarge)

Ebert Club

#45 January 12, 2011

Marie Haws  |  2011-01-05

Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...

Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)