Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
I have a small childhood memory indirectly associated with Alejandro Jodorowsky's "Santa Sangre"(1989). I remember well about how it drew the attention of people when it was introduced in South Korea in 1994. One tagline was simple brutal honesty that I still recall with smile: "This is no doubt the cult!" And here is another nice one that makes my eyeballs still roll: "Today, You will be infected by the cult!"They were blatant enough to draw the attention from an 11-year-old boy, but the problems were that (1) I was too young to get the chance to watch it, and (2) my hometown was a local city far from Seoul. However, that was a blessing in disguise. They showed the audiences the butchered version with a considerable amount deleted due to local censorship. In those days, bold, controversial films like "The Cook, The Thief, His Wife, & Her Lover" were never introduced to South Korean audiences unless they were heavily chopped. You probably think it is kind of weird considering some uncompromisingly violent South Korean movies made nowadays, but it did happen a lot when I was young.
Where do I start? With his tattooed lady? With how he hugged the mongoloid children to coax performances from them? Perhaps with the elephant's funeral, when the enormous casket went tumbling down the hillside, and the shanty people tore it open to get at the fresh meat inside?