We’re Still the Lunatics: A Special Edition of The ‘Burbs

by Max Kyburz  |  March 19, 2018  | 

An appreciation of Joe Dante's The 'Burbs on the eve of its Blu-ray Special Edition release.

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Comic-Con 2016: "Star Trek" and NASA Boldly Go

by Jana Monji  |  July 28, 2016  | 

A report from the Comic-Con 2016 Trek Talk panel "Star Trek and NASA Boldly Go."

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Now, "Voyager": in praise of the Trekkiest "Trek" of all

by Ian Grey  |  June 11, 2013  | 

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishments, Voyager, the most despised object of fanboy loathing in the franchise's history.

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The Captains: The Shat talks Trek

by Jana Monji  |  March 2, 2012  | 

"The Captains" is available on Netflix, EpixHD.com, Amazon Instant Video, Vudu and DVD. It will screen on HBO Canada March 21.

Stardate 65630.8 (1 March 2012)

What made "Star Trek" the most "durable and profitable franchise" in entertainment history? In his documentary, writer-director-producer William Shatner makes a convincing argument that it was "The Captains" -- they set the tone and they brought the theatricality and Shakespearean linguistic grace to TV.

"The Captains," appeared in October, 2011, in Canada, had one-night screenings here and there across North America, and helped launch EpixHD.com. That all seems in keeping with Shatner's impressive role as a new-media barnstormer. No, he's not making political speeches, but he's on Google+ and Facebook, and he's traveling around North America promoting and preserving what may be his most lasting legacy, his role as Captain James T. Kirk. He's even returned to Broadway in a one-man show covering his career before, during and beyond "Star Trek." (Yes, "returned.")

In Hollywood, people joke about the William Shatner School of Acting. He's corny. He's melodramatic. And he has a sizable ego. But he's really not a bad actor. We forget that before "Star Trek," Shatner seemed destined to become a fine stage actor. He first made the trip to Broadway from his native Canada in 1956 with a small part in "Tamburlaine the Great" in 1956. The production had two Tony nominations. He scored the starring role in "The World of Suzie Wong," which ran for two years. Both he and the female lead won Theatre World Awards for their work. In 1962, he was one of the main performers in "A Shot in the Dark," for which Walter Matthau won a featured actor Tony. All that momentum got sidetracked when he went Hollywood.

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