Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
Philip Lathrop
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Little Miss Marker (1980)
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Photographed by
Roger Ebert -
The Driver (1978)
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Photographed by
Roger Ebert -
Portnoy's Complaint (1972)
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Photographed by
Roger Ebert -
The Wild Rovers (1971)
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Photographed by
Roger Ebert -
I Love You, Alice B. Toklas (1968)
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Photographed by
Roger Ebert -
Finian's Rainbow (1968)
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Photographed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Noir City, San Francisco: He watches by night...
Recently I found myself, for the fifth time, among the denizens of a place that celebrates my favorite cinematic genre: the historic Castro Theatre in San Francisco, home of the Film Noir Foundation's 11th Annual Noir City Film Festival. The 27-film retrospective, which ran Jan. 25 to Feb. 3, featured newly restored prints, thanks to the Film Noir Foundation, as well as obscure films that may not have been seen in decades.
