
Ruben Brandt, Collector
The film is lighthearted but not frivolous, and the animation - a mix of computer-generated and hand-drawn - is so innovative and fun it's always…
The film is lighthearted but not frivolous, and the animation - a mix of computer-generated and hand-drawn - is so innovative and fun it's always…
I can't think of another recent computer-graphics-driven blockbuster that left me feeling this giddy because of its creators' consummate attention to detail and infectious can-do…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article commemorating the 2019 Chinese New Year, the Year of the Sow.
An article about START TV's My Start Story campaign.
An article commemorating the 2019 Chinese New Year, the Year of the Sow.
Scout Tafoya celebrates "Sweet Movie" in his latest video essay about maligned masterpieces.
Far-Flung Correspondent Gerardo Valero reflects on one of his favorite movies, The Poseidon Adventure.
A piece from a Far-Flung Correspondent on The Lion in Winter.
A tribute to Bruno Ganz.
An interview with rising filmmaker Alejandro Montoya Marín about his new film, Monday.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
You always know with a Robert Altman film that you'll get some kind of nudge, a dig in the ribs to wake you up and make you think differently. In the days when he was riding high with "M*A*S*H" and "Nashville," and now in these latter days when his eccentricity isn't fashionable, that hasn't changed. When you ask him why he's working in Paris or on Broadway or cable TV, Altman always grins and says, "I fiddle on the corner where they throw the coins." It's one of his favorite expressions. But he fiddles where he damn well pleases.