Maria Heiskanen

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Ebert Club

#133 September 12, 2012

Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!

Roger Ebert

The best films of 2009

Since Moses brought the tablets down from the mountain, lists have come in tens, not that we couldn't have done with several more commandments. Who says a year has Ten Best Films, anyway? Nobody but readers, editors, and most other movie critics. There was hell to pay last year when I published my list of Twenty Best. You'd have thought I belched at a funeral. So this year I have devoutly limited myself to exactly ten films.

Roger Ebert

Don't move. I want to move. Don't move.

When Sydney Pollack was making "Out of Africa" in 1985, he considered the problem of how to film Meryl Streep and Robert Redford in love scenes that were not explicit, yet were erotic. "When I have Streep and Redford together," he told me, "I don't want to see them strip naked and writhe around in bed together. The challenge was to find love scenes that would have emotion and passion and yet not violate a certain place where we want to see them. There are two really sensual love scenes. One of them is the undressing scene. I always like scenes like that. I think they're sexy. I tried to make a sort of passionate dance out of them undressing each other. The second scene consists of three absolutely terrific lines I took out of a screenplay that was written in 1973 when Nicholas Roeg was going to direct this project. It's only three lines, but what lines: "Don't move. I want to move. Don't move."