It’s just a film that’s as blank as Brahms’ expression.
The dog seems synthetic and so does the story.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
Chaz Ebert reveals her Top Ten (PLUS) Films of 2019.
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
Scout Tafoya celebrates William Lustig's Vigilante in his latest video essay about maligned masterpieces.
Theo Angelopoulos’ Landscape in the Mist is a work of art that comes from the feelings, the dreams, the sorrows, and the flashes of life…
Far Flung Correspondent Seongyong Cho pens a letter to Roger about Michael Apted's 63 Up.
The latest on streaming and Blu-ray, including 21 Bridges, A Beautiful Day in the Neighborhood, and a Criterion edition of Roma.
A TV review of Amazon Prime's Hunters, from executive producer Jordan Peele.
Happy End (2017)
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Anaïs Laurent
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
