This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
In a piece last week about irresponsible and wantonly unsubstantiated criticisms of Steven Spielberg's "Munich" (by some people who hadn't even seen it), I wrote that the term "moral equivalence" is the "first refuge of a con-artist." Speak of the devil, sure enough, the ever-(un)reliable Michael Medved (the guy who tried lamely to argue this time last year that Clint Eastwood's "Million Dollar Baby" advocated killing disabled people) immediately stepped forward with this comment on his web site:SPIELBERG PUSHES MORAL EQUIVALENCY