Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
Marie writes: And so it begins! A new year and another season of Film Festivals and Award shows. The Golden Globes have come and gone and in advance of quirky SXSW, there's Robert Redford's Sundance 2013...
Q. A cell phone story. While I was watching "Frequency," a lady one row back took a call and conducted a conversation--unnerving, evoking comments all around her--but at least it was during a light-hearted scene in the movie. Still, "cinema rage" must have coiled up inside me. And it struck during the double showdown. I was confused enough by the plot. Then came another electronic warble. Immediately all my unspoken protests from the first incident spring to the surface: The lady does NOT have her phone on vibrate. She's NOT by an aisle seat, so she CAN'T duck out of the room quickly. She's NOT switching the phone off, but engaging in conversation. This resultyed in me saying, "Hang up!" And, about three seconds later, louder, "Hang it UP!" I didn't hear any more out of her, but I had residual adrenalin pumping through my body, and for about the next two minutes, and could not concentrate. So at the climax of the movie, someone's phone went off and, I guess, so did I. (Jim Carey, Glen Ellyn, IL)