In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Jexi

Although the title is confounding and perhaps the movie’s worst misstep, it’s Byrne’s digitized and stilted delivery that earns the biggest laughs.

Gemini Man

Lee's recent desire to be at the forefront of frame-based technology, however, is resulting in hollow, empty experiences that are literally hard to watch.

Other reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other reviews
Great Movie Archives

Cast and crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Notes on my homework: The Prestige and Signs

Knowing that the summer would bring new releases by two of today's most "controversial" (as Entertainment Weekly might put it) auteurs -- M. Night Shyamalan and Christopher Nolan (one with a critical reputation on a downward slide, the other on the upswing) -- it seemed like a good time to plug some notable gaps in my experience of their filmographies. I still haven't seen Shyamalan's pre-"Sixth Sense" features, "Praying with Anger" (1992) or "Wide Awake" (1998), or Nolan's pre-"Memento" chronology-shifter, "Following" (1998) -- which, the credits reveal, features a thief named Cobb, like "Inception." More significantly, I suppose, I hadn't seen (all of) Shyamalan's hit "Signs" (2002), or any of Nolan's "The Prestige" (2006) -- the former because it just hadn't held my interest the first time I tried to watch it and the latter because my critic-friends who'd seen it were unanimous in finding it dull and uninspired.

Continue reading →