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Darkest Hour

Darkest Hour stands apart from more routine historical dramas.

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The Man Who Invented Christmas

Not particularly keen on nuance or subtlety, this is a film in which everything, especially Stevens’ decidedly manic take on Dickens, is pitched as broadly…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Notes on my homework: The Prestige and Signs

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Knowing that the summer would bring new releases by two of today's most "controversial" (as Entertainment Weekly might put it) auteurs -- M. Night Shyamalan and Christopher Nolan (one with a critical reputation on a downward slide, the other on the upswing) -- it seemed like a good time to plug some notable gaps in my experience of their filmographies. I still haven't seen Shyamalan's pre-"Sixth Sense" features, "Praying with Anger" (1992) or "Wide Awake" (1998), or Nolan's pre-"Memento" chronology-shifter, "Following" (1998) -- which, the credits reveal, features a thief named Cobb, like "Inception." More significantly, I suppose, I hadn't seen (all of) Shyamalan's hit "Signs" (2002), or any of Nolan's "The Prestige" (2006) -- the former because it just hadn't held my interest the first time I tried to watch it and the latter because my critic-friends who'd seen it were unanimous in finding it dull and uninspired.

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