
Traffik
There isn’t an honest moment in all 96 minutes of Traffik.
There isn’t an honest moment in all 96 minutes of Traffik.
William Friedkin, the director of "The Exorcist," documents what might be a real-life exorcism.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
Starring Dwayne Johnson and other giant creatures.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A report on the second day of Ebertfest, which included a massive critic's panel and three very special films.
The latest on Blu-ray and DVD, including Phantom Thread, Molly's Game, and The Commuter.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
If you haven't heard about Stephen Glass, who was a former employee of the New Republic, you may think he is a nice lad who occasionally screws things up while you watch him at the beginning of "Shattered Glass" (2003). Sometimes it's not easy to be angry about him because he is so sweet and considerate to the people working with him. If it seems they find a problem or error caused by him, he quickly admits and apologizes to them while looking like he is nervous about whether they won't like him any more for that. He frequently asks to them as if he wanted to check that: "Are you mad at me?"
(click to enlarge)
by Joe Krozel
by Joe Krozel
Ebert's Best Film Lists1967 - present