A documentary that plays like a first-rate thriller hinging on key issues of the Cold War and African decolonization.
There’s an honest heart beneath the racy laughs.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article celebrating the one-year anniversary of our first female editor at RogerEbert.com, Nell Minow.
An article about the Chicago Stories Gala presented by Victory Gardens Theater on October 5th, 2019, presenting debuting playwrights Chaz Ebert and Stacy Janiak, and…
From a childhood of pain, a lifetime of art.
Appreciating the art of one of the greatest documentary filmmakers.
A reappreciation of a Billy Wilder classic.
FFC Seongyong Cho looks back at Alan J. Pakula's twisty thriller Presumed Innocent.
A reappreciation of a Billy Wilder classic.
A review of Netflix's brilliant Mindhunter.
Perfect Friday (1971)
—
Screenplay by
The Penthouse (1967)
—
From the play "Meteor Man" by
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
