There’s a more than satisfactory amount of boom-boom in the movie’s trim running time.
Very few films have ever captured the pains of being first-generation American quite like Crazy Rich Asians.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
An article about Project Involve's inclusive storytelling in the Hollywood landscape as it celebrates its 25th anniversary with a fundraiser on Saturday, September 22nd.
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
A celebration of Jane Campion's "In the Cut," as part of a video essay series about maligned masterpieces.
With "Mission: Impossible - Fallout," Christopher McQuarrie has now made the best and worst "M:I" movies to date.
A look at Escape to Victory in light of the World Cup and world events.
The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
A deep dive into the acting career of Glenn Close, celebrating a performer who gets more out of stillness than almost any other actor.
Perfect Friday (1971)
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Screenplay by
The Penthouse (1967)
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From the play "Meteor Man" by
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
