The film, while well-made on a technical level, feels more like a collection of moments than a full and satisfying narrative.
The following table of contents contains Chaz Ebert's complete video dispatches from Cannes 2017, produced by herself and Scott Dummler of Mint Media Works.
We dedicate our coverage of the 2017 Cannes Film Festival to Nancy Koppelman and Emory Jones.
A video essay about Mortal Engines, as part of Scout Tafoya's ongoing video essay series on maligned masterpieces.
This is the most purely entertaining season of Stranger Things to date.
This message came to me from a reader named Peter Svensland. He and a fr...