TIFF 2017: “Borg/McEnroe,” “Loveless,” “A Ciambra”
A report on three TIFF premieres from the first day of the 2017 festival.
A report on three TIFF premieres from the first day of the 2017 festival.
An article about the TIFF Ebert Tribute Luncheon honoring Wim Wenders on Sunday, September 10th.
An appreciation of “The Game” on its 20th anniversary.
A look back at this past weekend’s Telluride Film Festival, which included 9 in the main program directed by women.
The latest from Venice includes Darren Aronofsky, Jim Carrey, and Tony Clifton.
A report on classic films restored and presented at this year’s Venice Film Festival.
Glenn Kenny writes about his participation in a panel for the Biennale College, which featured viewing three worthy micro-budget films.
A report from Venice on the latest from Martin McDonagh, “Three Billboards Outside Ebbing, Missouri” and the Swinging London documentary “My Generation.”
An interview with writer/director Greta Gerwig from the Telluride premiere of her new film, “Lady Bird.”
A preview of the 2017 Toronto International Film Festival, which starts tomorrow.
An interview with the director of “Approaching a Breakthrough” and a presentation of the short film.
An updating table of contents for all of Glenn Kenny’s coverage of this year’s Venice Film Festival.
A report from Venice on two world premieres, “The Leisure Seeker” and “Woodshock.”
A review of the new season of “Top of the Lake” from Jane Campion, starring Elisabeth Moss.
A review of the seventh season of “American Horror Story,” the best in years.
A report on the premieres of the George Clooney’s Suburbicon and James Toback’s The Private Life of a Modern Woman from Venice.
A report from the Venice Film Festival on three world premieres.
A review of the fourth season of Netflix’s BoJack Horseman and look at the themes that have made the show such a success.
An interview with Jean-Pierre and Luc Dardenne, writer/directors of “The Unknown Girl.”
Scout Tafoya’s video essay series about maligned masterworks continues with a deep look at Ron Shelton’s Dark Blue.